]]> ]]>
Museum records indicate that he was born May 17th 1884 in what would become Oxnard. ]]>
Top row (L-R): Lazaro Ponce, Joe Uranga, Albert Martinez, Tony Martinez, Humbert Escalante, Lucio Roman, Willie Amador, Ambrocio Mendoza
Bottom Row (L-R): Angel Lerma, Manuel Escalante, Ruben Castro, Alberto Vera (manager), Louie Moya, John Lara, Quito Valles, and bat boys Amador and Valles. ]]>

Note: Ojai #82-176-6]]>

Names listed on back, order not clear: "M. Smith, M. Ramelli, J. Barnett, S. D. Butts, Gio Sanchez, E. Shaw, Fred Fairbanks, H. Slye, Al Hartman, Andy Lille, Art Caldwell, Tom Mitchell. Bat Boy."]]>

Front row (l-r): Virginia Nicely; Hope Hardison. Back row (l-r): Cora Harvey; Opal Moody; Elizabeth Underwood.]]>

L-R back row: Clyde Riggins, Bill Henry, Ernie Glenn, Charlie Sample (creamery
manager), Joe Martin, Bud Snively, H. Woll.
Front row: Walt Womach, Jack Kalis, Mason Covarrubias, Bob Henry. ]]>

L-R kneeling: Lloyd (Sharkey) Lillie, George Stewart.
Top row: Sam Furrer, Charles Gill, Ed Hayes, Charles Hayes and
Ralph Mahan.
Lower row: Myron Gill, A. C. Stewart, Charles Covarrubias and A. E. Cawelti.]]>

Black-and-white footage of football practices on the same field follow this sequence. After this practice, girls in white dresses and small angels' wings walk in a file across the field, perhaps in preparation for a parade. The next scene shows a young marching band practicing its routine on a residential street, with craftsman homes and hills in the background. 

The next sequence is shot in color, and features a parade through the streets of Santa Paula. Servicemembers bear American flags, men in Western wear ride horses, and a local American Legion marching band performs a routine. The scene afterward captures a group portrait of a Santa Paula's American Legion band and some candid footage of the band preparing for a seated performance. ]]>
(Keene Reel 16)]]>